I began my TV career specializing in sound, and it remains a core part of what I do today. The often-overlooked art of sound is one of the most vital aspects of filmmaking. My work has taken me from recording presenters chasing giraffes in Africa to hanging out of planes in Alaska.

I’ve had the privilege of placing radio mics on notable figures such as David Attenborough, James Lovelock, Alistair Campbell, and many others. My dedication to sound design has even earned a nomination for a Wildscreen Sound Award.

I come fully equipped with my own gear, including a mixer, boom, radio mics, and timecode boxes. I have extensive experience working with multiple radio mics, managing multiple timecode feeds sent to cameras, and taking audio inputs from mixing desks, as well as airplane and helicopter comms.